Latest News: Archive for the ‘Uncategorized’ Category

“What would Žižek do?” — PANDEMIC! reviewed on Radio 3 Hong Kong Morning Brew

Monday, May 18th, 2020

“We Can’t Lose the Right to Protest in the Age of Coronavirus” — BERNIE’S BROOKLYN author Theodore Hamm writes for Jacobin

Wednesday, May 13th, 2020
Concerns about the spread of coronavirus are legitimate, but the right to public protest must be upheld through the crisis. Unfortunately, New York City mayor Bill de Blasio has done the opposite, eroding our rights to assembly during the pandemic.

Read the full piece here.

THE DEEP END author Jason Boog interviewed on WBAI Arts Express

Wednesday, May 13th, 2020

Listen to the interview here.

“Was the rebellious son of an earl murdered by the mob?” — SURF, SWEAT AND TEARS author Andy Martin writes for the Daily Express

Wednesday, May 13th, 2020

The tragic search for the truth behind gruesome death of lovelorn aristocrat who wanted to rule the waves.

When you get a 3am call it’s usually bad news, even if it’s from Hawaii. Even more so if the caller reverses the charges, as Ted did, back in the 1990s. I thought it must be some emergency, so I accepted the call.

Read the full piece here.

“Will this universal threat give birth to solidarity—or will barbarianism bloom?” — PANDEMIC! reviewed in the Independent

Monday, May 11th, 2020

Read the full review here.

“Rich with the possibilities of the human experience” — LUCID DREAMING reviewed in CounterPunch

Monday, May 11th, 2020

We Are Movie Cameras, Lucidly Dreaming

Filmmaker and curator Pamela Cohn knows all about the medium’s gallant struggle for a cinematic language that is new, immediate, and accessible to the viewer. Originally from Los Angeles, Cohn has travelled the world as an arts journalist, educator, producer and photographer, and has been a consultant on dozens of films. Currently based in Berlin, she has been an expat now for 10 years, traveling throughout Europe and Asia, and Lucid Dreaming: Conversations with 29 Filmmakers is the result of those intersections. Cohn sees her role with this book as a curator at a gallery of interconnected rooms with alternating ideas on one aesthetic; film language is spoken here, human experience is the entry fee.

Cohn says her inspiration for the method applied to the garnering of conversations and their presentation in Lucid Dreaming came as a result of watching Astra Taylor’s film, Examined Life, at the Woodstock Film Festival in 2008. She writes that it “inspired me greatly. The format with which she approached long and in-depth conversations with some of the world’s most renowned philosophers was very much in line with how I wanted to converse with filmmakers.”

Lucid Dreaming begins with a special, bracketed conversation with Barbara Hammer, who succumbed to cancer last year. In Vital Signs, Hammer attempted to capture the essence of her battle with death (“looking it right in the face,” she tells Cohn). She was a legendary New York filmmaker, of whom Cohn says, “she has left behind an oeuvre that is staggering not only in its fecundity, but in the way her legacy as a life-long working artist lives on in hundreds of filmmakers creating work today.” Her themes and cinematic interests are too innumerable to catalogue here, but, in the interview with Cohn, she discussed a book she was working on that broadly addresses her aesthetic focus: “sexuality, film form and structure, the politics of abstraction.” Her life and work are memorialized at her website.

Lucid Dreaming comprises seven dialogical sections: “Antonyms of Beauty”; “Sonic Truth: Visioning with Sound”; “Border Crossings; Power Plays: Disruption”; “Memory & Magic: Inter-dimensionality”; “Notes from the Interior”; and “The Embodied Camera”. There are discussions of technical considerations, visual politics, and the phenomenological components of subjectivity. The filmmakers come from various countries and cultures, and their stories are idiosyncratic, sometimes bizarre, and always rich with the possibilities of the human experience.

Read the full review here.

SURF, SWEAT AND TEARS author Andy Martin interviewed on the Crest podcast

Monday, May 11th, 2020

“‘Radical’ is an overused word. Žižek, however, genuinely challenges deep-seated dogmas of the Western left.” — PANDEMIC! reviewed in the Point

Thursday, May 7th, 2020
What is truly valuable about Žižek’s writing lies in the glimmer of a shift in sensibility, a shift between two different conceptions of political discourse. One involves the articulation of policies, which range from securing the conditions of biological survival to more ambitious projects to improve the quality of our lives. But Žižek also goes beyond this instrumentalism (which need not be conflated with mere technocracy) and asks the more open-ended question of what it means to live well.

Thinkers on the left have been traditionally and justifiably suspicious of such “ethical” concerns, framing them as bourgeois or “liberal” (uttered with the familiar repulsive ring, like a spit). It is therefore another provocation that Žižek defines his kind of communist as a “liberal with a diploma” (reversing Hungarian leader Viktor Orban’s propaganda that liberals are “communists with a diploma”). We earn such a diploma once we have “seriously studied why our liberal values are under threat” and become aware that “only a radical change can save them.”

“Radical” is an overused word. Žižek, however, genuinely challenges deep-seated dogmas of the Western left.

Read the full review here.

“An eerily timely new book” — THE DEEP END featured in the Los Angeles Times

Thursday, May 7th, 2020

85 years ago, FDR saved American writers. Could it ever happen again?
by David Kipen

There is one living writer whose evangelical belief in the lasting lessons of the FWP beggars even my own. Jason Boog, the L.A. correspondent for Publishers Weekly, will soon publish an eerily timely new book, “The Deep End: The Literary Scene in the Great Depression and Today.”

“The American Guides,” he says, “captured all sorts of cultural works that we could have forgotten: dance steps in Harlem, the early efforts of union organizers in Hollywood and the locations of Hooverville tent cities around Manhattan. As we go through our own crisis … I think a FWP in the 21st century could raise up the voices of people most directly affected by this disaster.”

Read the full article here.

“Epidemics are like wars, they can drag on for years” — PANDEMIC! author Slavoj Žižek writes for RT

Wednesday, May 6th, 2020
We should stop thinking that after a peak in the Covid-19 epidemic things will gradually return to normal. The crisis will drag on. But this doesn’t mean the situation is hopeless.

Read the full piece here.

“For the artists—and [for] any of us that work in the creative sector—it is always a precarious existence” — LUCID DREAMING author Pamela Cohn interviewed on Instanbulberlin

Wednesday, May 6th, 2020

Read the full interview here.

“Michael J. Thompson and Gregory R. Smulewicz-Zucker on democratic socialism” — AN INHERITANCE FOR OUR TIMES editors interviewed on Leonard Lopate at Large

Wednesday, May 6th, 2020

Leonard Lopate at Large on WBAI Radio in New York · Michael J. Thompson and Gregory R. Smulewicz-Zucker on democratic socialism (5/4/20)

PANDEMIC! featured as the Observer book of the week

Monday, May 4th, 2020

Read the feature here.

“May 1 in the viral world is a holiday for the new working class” — PANDEMIC! author Slavoj Žižek writes for RT

Monday, May 4th, 2020
Maybe the moment has come to take a step back from our exclusive focus on the pandemic, to allow ourselves to consider what coronavirus and its devastating effects reveal about us as a society.

The first thing that strikes the eye is that, contrary to the cheap motto ‘we’re all in the same boat’, class divisions have exploded. At the very bottom of our hierarchy, there are those – refugees, people caught in war zones – whose life is so destitute that, for them, the pandemic is not the main problem. While these folk are still mostly ignored by our media, we’re bombarded by sentimental celebrations of nurses on the frontline of our struggle against the virus. But nurses are just the most visible part of a whole class of ‘care-takers’ that is exploited – albeit not in the way the old working class portrayed in Marxist imagery was exploited. Instead, as David Harvey puts it, they form a “new working class”.

Read the full piece here.

“Back to Work in the Covid-19 Economy?” — THE MONSTER ENTERS author Mike Davis interviewed on Start Making Sense

Monday, May 4th, 2020

“Immigrants Have Always Known the Pain of Social Distancing” — CAUTIVOS author Ariel Dorfman writes for the Atlantic

Monday, May 4th, 2020
Native-born Americans could learn from the men and women who have started anew in a land they do not recognize, writes Dorfman.

Read the full piece here.

“Books and Podcasts to Fix Your Nature Deprivation” — TALES OF TWO PLANETS featured in Outside

Monday, May 4th, 2020
Tragically, climate change is one thing that’s not on pause right now, and this impressive collection is a small but engaging way to remind yourself of that. Through poetry, fiction, and reporting, writers from around the world tackle the existential quandaries of living on a dramatically changing planet: Margaret Atwood contributes a poem about rain, Japanese author Sayaka Murata creates an unsettling dystopia in which everyone is rated based on how likely they are to reach age 65, and author and hip-hop artist Gael Faye writes about the disappearance of fireflies from his native Burundi. Every piece is short but impactful.

Read the full list here.

“Like grumpy Greta Thunberg, Freeman’s angry” — TALES OF TWO PLANETS reviewed in CounterPunch

Monday, May 4th, 2020

To Be or Not to Be, That’s the Goddamn Question

If Freeman’s first two collections left the impression that it was just the world’s Exceptional Democracy™ that was in deep shit and needed to address some serious political and economic issues immediately, well, you were wrong; it turns out we’re all in quick shit, sinking by the moment.

Read the full review here.

“New Book Claims Britain’s First Pro Surfer ‘Lord Ted’ Was Murdered in Hawaii” – SURF, SWEAT AND TEARS author Andy Martin interviewed on Wavelength magazine’s It’s Not the Length podcast

Monday, May 4th, 2020

It’s Not The Length – Surf Podcast · In Conversation with Andy Martin, author of ‘Surf Sweat & Tears’

“Return of the Vampire Squid” — HATE INC. author Matt Taibbi interviewed on Real Time with Bill Maher

Monday, May 4th, 2020

“Israel Is Involving Itself in Libya’s Civil War. Why?” — THE WRONG STORY author Greg Shupak interviewed on The Real News Network

Monday, May 4th, 2020

“Why Humanity Will Probably Botch the Next Pandemic, Too” — THE MONSTER ENTERS author interviewed in New York Magazine

Thursday, April 30th, 2020

Mike Davis tried to warn us. Fifteen years ago, America’s favorite Marxist truck driver turned MacArthur Fellow published The Monster At Our Door: The Global Threat of Avian Flu. In it, Davis argued that a global pandemic was not merely imminent but late: When you pack tens of millions of human beings into unprecedentedly dense, often unsanitary cities — then surround those cities with factory farms teeming with historically vast concentrations of pigs and chickens — you get a more fertile breeding ground for emergent disease than any our species has ever seen. Add in southern China’s diverse wildlife population, wet markets, and lung-impairing air pollution — and a global economic system that tosses millions of humans across continents on a daily basis — and the mystery wasn’t whether a novel virus would emerge in China and then take the world by storm but why one hadn’t already done so. Davis implored humanity to capitalize on its good fortune while it still could. A lethal strain of avian flu had already become endemic in East Asian birdlife. But there was still time to build up the emaciated health-care systems of the developing world, subordinate competitive nationalisms to global cooperation on public health, scale back hazardous agribusiness practices, and wrest control of antiviral and vaccine production from Big Pharma’s grubby hands.

None of that happened, of course. And in 2020, Davis’s prophesied “monster” (or, at least, one its relatives) finally ran through our door, ransacked our house, and killed many of our loved ones.

Read the full interview here.

“Reopening the Economy Will Send Us to Hell” — THE MONSTER ENTERS author writes for Jacobin

Thursday, April 30th, 2020
People desperately need to go back to work and save what they can of their lives. But Mike Davis argues that a rapid reopening of the economy would only result in unspeakable tragedy for millions.

Read the full piece here.

“Mike Davis in the Age of Catastrophe” — THE MONSTER ENTERS author profiled in the New Yorker

Monday, April 27th, 2020
Once again, reality is catching up with Davis’s instinct for prognostication. In 2005, he wrote “The Monster at Our Door,” a book about the avian flu. The book scared him so much that he was unable to keep a copy in his house; recently, in the midst of the global coronavirus pandemic, he had to order himself a new copy.

Read the full profile here.

“On the Rise and Fall of ISIS” — WAR IN THE AGE OF TRUMP excerpt published in Lit Hub

Monday, April 27th, 2020

Patrick Cockburn Wonders at What Comes Next

Could ISIS have won the war in Iraq and Syria? Was it always inevitable that the reborn caliphate declared in 2014 after the capture of Mosul would be eliminated as a territorial entity less than five years later? These are important questions that are seldom asked because many observers condemn ISIS as an unmitigated evil and fail to analyze its strengths and weaknesses. But these are important if we are to understand the chances of ISIS resurrecting itself in Syria and Iraq or re-emerging under a different name with ostensibly different objectives. It is worth asking what were the religious, military, political, social, and economic ingredients that went into creating and sustaining this extraordinary militarized cult that for a considerable amount of time controlled a state that extended from the outskirts of Baghdad to the hills overlooking the Mediterranean.

In retrospect, military defeats and victories acquire a false sense of inevitability about them, whether we are looking at the German defeat of France in 1940 or the claimed elimination of the last vestiges of ISIS in 2019. Historians study long-term trends, but contemporary witnesses are more aware of the degree to which good or bad decisions determined the outcome of a conflict and that the result might have gone the other way. For instance, what would have happened if ISIS had not attacked the Kurds, who would have been happy to stay neutral, in both Iraq and Syria in the second half of 2014? This diverted ISIS from its spectacularly successful assault on central government forces in both countries and precipitated the devastating intervention of US airpower. If the ISIS leader Abu Bakr al-Baghdadi had not split the jihadi movement in Syria in 2013 by seeking to absorb his former proxy, the al-Nusra Front, back into the mother organization, then ISIS would have been in a much stronger position to fight a long war. Probably its very fanaticism—and its belief that it had a monopoly of divine support—prevented it showing greater political adroitness, but we cannot be sure.

As surviving ISIS fighters staggered out of the ruins of their last strong-hold at Baghuz on the Euphrates River on 23 March 2019, it was difficult to recapture the sense of dread that they had spread at the height of their success. I was in Baghdad in June 2014 when their columns of vehicles packed with gunmen were sweeping south as the regular Iraqi army divisions broke into fragments and fled before them. Some Iraqis, with a sense of history, compared the onslaught to that of the Mongol horsemen who captured and sacked Baghdad in 1258. Official spokesman on television would stay silent or announce fictitious victories, so I would call policemen in towns in the path of ISIS and ask what was happening. Often the calls revealed that it was advancing with frightening speed against crumbling or non-existent opposition. I remember thinking that reporters in Paris in May and June 1940 must have tracked the advance of German panzer divisions towards Paris with similar trepidation.

Read the full excerpt here.

“A compelling examination of a decision that unsettled many international lawyers and a reminder of the extent to which Palestinians have been let down by international institutions.” — I ACCUSE! reviewed in Morning Star

Monday, April 27th, 2020

ANDY HEDGECOCK recommends a forensic examination of the ICC’s response to Israel’s attack on an aid convoy to Gaza in 2010

I ACCUSE is a demanding read, in every sense. Its indictment of the behaviour of Israel and the International Criminal Court is detailed and dense.Norman Finkelstein’s book concerns a specific incident in 2010 when the Mavi Marmara, flagship of a humanitarian flotilla carrying supplies to Gaza, was attacked by Israeli commandos.

Nine people were killed, one later died from his injuries, scores were injured and many more assaulted. The proof presented, textual and photographic, is harrowing. Half the book is taken up by evidential appendices and the explanatory notes are at a point size requiring the use of a magnifying glass.

These are observations, not complaints. Finkelstein’s assessment of a violent action by Israeli armed forces brims with controlled anger but is informed by meticulous analysis.

Read the full review here.

“Excalibur. Everyone knows it, no one believes it, except for poets, novelists, and Walt Disney. And Ted.” — SURF, SWEAT AND TEARS excerpt published in CARVE Surfing Magazine

Thursday, April 23rd, 2020

Excalibur

There were clearly defined periods in Ted’s life. Each had a name, a brand. The Lightning Bolt era gave way to Sabre; Sabre gave way to Excalibur. Which gave way to Lola.
In a way, Excalibur had always been there.
Everyone remembers the legend of Excalibur – the magic sword that Merlin places in the stone (or anvil), and which can only be removed by the true King. All the young wannabes, the pretenders, troop up and confidently grasp the hilt but are unable to take possession of the sword, no matter how hard they try. Only young Arthur, quite unexpectedly, but effortlessly, can grasp the sword and make it his own. Thus he is the One, divinely appointed and sole heir to Uther Pendragon. “Whoso pulleth Out this Sword of this Stone and Anvil, is Rightwise King Born of all England” (Thomas Malory). Some say that the sword in the stone and Excalibur are two different swords, some say they are one and the same, but either way, Excalibur is a magic sword. That sword is like a crown, bejewelled and engraved with mystic messages. If you own it, you rule. A weapon of immense power, but also an instrument of peace. Even the scabbard in which the sword rests is itself magical and can heal the wounded. In the end, as Arthur lays dying, and is spirited away downriver on a transcendent barge, he commands one of his attendants to cast the sword into the water, where a mysterious hand – belonging to the Lady in the Lake – rises up to receive it and from whom, one fine day, it is destined to be reclaimed by a descendant of Arthur, who will recreate the Round Table and the wonderful land of Camelot. Recovered from the water. From the hand of the Lady of the Lake. A second coming. On a par with the Holy Grail.
Excalibur. Everyone knows it, no one believes it, except for poets, novelists, and Walt Disney.
And Ted.

Read the full excerpt here.

“To Touch or Not to Touch: On Distance and Love” — PANDEMIC! excerpt published in Vogue

Wednesday, April 22nd, 2020
“Touch me not,” according to John 20:17, is what Jesus said to Mary Magdalene when she recognized him after his resurrection.How do I, an avowed Christian atheist, understand these words? First, I take them together with Christ’s answer to his disciple’s question as to how we will know that he is returned, resurrected. Christ says he will be there whenever there is love between his believers. He will be there not as a person to touch, but as the bond of love and solidarity between people—so, “do not touch me, touch and deal with other people in the spirit of love.”Today, however, in the midst of the coronavirus epidemic, we are all bombarded precisely by calls not to touch others but to isolate ourselves, to maintain a proper corporeal distance. What does this mean for the injunction “touch me not?” Hands cannot reach the other person; it is only from within that we can approach one another—and the window onto “within” is our eyes. These days, when you meet someone close to you (or even a stranger) and maintain a proper distance, a deep look into the other’s eyes can disclose more than an intimate touch.

Read the full excerpt here.

“To win public support for the cause of energy transition, People’s Power campaigns need to develop radical new forms of energy democracy, ones that involve equitable popular access and governance directed to the needs of those who have borne the toxic brunt of fossil capitalism.” — PEOPLE’S POWER author Ashley Dawson writes for the Verso Blog

Wednesday, April 22nd, 2020

We need a national People’s Power campaign

With commuters staying at home, businesses shut down, and airplanes grounded, the coronavirus lockdown is catalyzing the biggest decline of energy demand in history. As the dire impact of the oil glut produced by the pandemic on the fossil fuel industry has become increasingly clear, elites have begun to worry that the gathering crisis of fossil capitalism is likely to seriously destabilize the global financial system. They are responding with demands for public bailouts that benefit Big Oil. Yet while periods of crisis have often led to paroxysms of disaster capitalism in the past, opportunities are opening in this present moment of disastrous capitalism for movements fighting to dismantle the fossil fuel industry and thereby prevent planetary ecocide. With the value of fossil fuel companies gutted, now is the perfect time for what I am calling a movement for People’s Power to take ownership of the collapsing industry in order to shut it down in a way that’s fair to workers and communities, and in parallel to build out the kind of democratically controlled renewable energy system we need to avoid catastrophic climate change.

Read the full piece here.

A PUBLIC SERVICE author Tim Schwartz interviewed by David Swanson on Talk Nation Radio

Tuesday, April 21st, 2020

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