Latest News: Author Archive

The Verge refers to CYPHERPUNKS in review of Schmidt and Cohen’s The New Digital Age

Wednesday, June 12th, 2013

The New York Times was right to ask Julian Assange to comment on The New Digital Age. His book, Cypherpunks (reviewed for The Verge by R.U. Sirius) both foreshadows Schmidt and Cohen’s work and serves as a response. Say what you will about Assange’s prose — sure, the man is kind of a Debbie Downer — it’s obvious that he cares about what happens to the least of us, those of us who are not shareholders. The core of his message is inevitably missing from mainstream press coverage of WikiLeaks: that a just society would protect the weak from the powerful and corrupt. By way of contrast, Eric Schmidt and Jared Cohen have spent the bulk of their short, happy lives sucking up to power.

Read the full article at The Verge.

The New Yorker includes THE UNITED STATES VS. PFC BRADLEY MANNING in its weekly book news post

Wednesday, June 12th, 2013

The artist and WikiLeaks activist Clark Stoeckley is creating a comic based on the Bradley Manning trial.

Read the full article at The New Yorker.

The Guardian reports on the upcoming THE UNITED STATES VS. PFC BRADLEY MANNING

Tuesday, June 11th, 2013

A comic of the Bradley Manning trial, produced live from the courtroom, is being created by artist and WikiLeaks activist Clark Stoeckley and will be published in the autumn.

Stoeckley, who drives a truck covered with the WikiLeaks logo to the court in Fort Meade each day, said: “It [the truck] definitely turns heads. My feeling is that if they allow the Fox News truck on base they have to allow me here too, right?” He is meticulously recording every detail of Manning’s trial from inside the courtroom, drawing and writing down events as they happen.

Read the full article at the Guardian.

Los Angeles Times previews THE UNITED STATES VS. PFC BRADLEY MANNING

Monday, June 10th, 2013

Leftie publisher O/R Books is covering the Bradley Manning trial for a book slated to appear in October, “The United States vs. PFC Bradley Manning: A Graphic Account From Inside the Courtroom.” The chronicler is Clark Stoeckley — he’s a WikiLeaks supporter, not an impartial observer, and his courtroom artist-style drawings have an undertone of sympathy for Manning.

Manning’s court-martial began Monday in Fort Meade, Md. Three years ago, Manning was arrested on suspicion of leaking more than 700,000 Iraq and Afghanistan battlefield reports and State Department cables when he was a 22-year-old Army intelligence analyst.

Readers who pre-order the book will get weekly updates via email from the trial that will include drawings, notes and stories from inside the courtroom. Some of this material, but not all, will later be found in “The United States vs. PFC Bradley Manning.”

Read the full article at the Los Angeles Times.

2 Seas Agency features a post about the OR BOOKS alternative publishing model

Monday, June 10th, 2013

We recently focused on E-riginals in translation and the profit-sharing model, two increasingly popular business models in the rapidly changing book market.

This article is dedicated to a third model, which takes on one of the cornerstones of current-day publishing by selling books directly to consumers instead of making them available via bookstores or online retailers (read: Amazon).

One of our clients, New-York publisher OR Books has applied this business model since its launch in 2009. Founded by veteran indie publishers John Oakes (Avalon, Nation Books, PEN America) and Colin Robinson (Scribner, Verso, The New Press), OR Books clearly profiles itself as a different publisher.

Read the full article at the 2 Seas Agency website.

Chase Madar reports the Bradley Manning trial for the Nation, using Clark Stoeckley’s exclusive courtroom drawings from THE UNITED STATES VS. PFC BRADLEY MANNING

Friday, June 7th, 2013

Courtroom action is adjourned until next Monday, June 10, giving us a chance to pause and take a good look at what this court-martial is really all about: the leaks themselves. Too often, the content of the leaks—thousands of stories of individual lives destroyed or damaged by war—gets subsumed in the drama surrounding the leaks—Manning, Assange, Wikileaks and their travails. Michael Arria at Vice Motherboard has an excellent analysis of this tendency to overlook the leaks’ content, including a good brisk run-down of some of the major leaks, lest we forget.

Read the full post at the Nation.

The Gandhi Foundation reviews WHAT GANDHI SAYS by Norman Finkelstein

Friday, June 7th, 2013

Thinking through how a nonviolent protest might free the West Bank from Israeli occupation led the author to take a close look at Gandhi’s own writings to see just what he did say about nonviolence. One of his complaints is that Gandhi scholars in fact rarely do take a close look at the Collected Works, though surely this is transparently unfair in the case of Anthony Parel and, indeed, our own editor, George Paxton. As one would expect of a close friend of Noam Chomsky a razor-sharp intelligence is brought to bear on those writings. Finkelstein has written extensively on the Israel-Palestine conflict and maybe predictably his major critique of Gandhi’s ideas lies in their ineffectiveness for dealing with Hitler and the Holocaust. But this is a highly sophisticated analysis and is far more ambivalent in the ways it looks at such questions as Gandhi’s consistency and at the psychology underlying these ideas, other historical conflicts, above all the freedom struggle, and this is a measured recommendation for a nonviolent approach at the time of the Arab spring and the Occupy movement.

Read the full review at The Gandhi Foundation.

Yoko Ono speaks to Rolling Stone about the upcoming release of ACORN

Tuesday, June 4th, 2013

You’re also putting a book of drawings, Acorn – your follow-up to 1964’s Grapefruit – out this month.

Yes, yes. I’m so lucky that I can put out Acorn now, again, because I just forgot about it. Then I read it, and I said ‘Oh my God, it’s so great, we have to put this out,’ you know? It’s very interesting to see what I was thinking. Well, I think Acorn is, if anything, maybe just as good as Grape was, and Grape was very successful, and Acorn will be, probably.

Read the full interview at Rolling Stone.

CYPHERPUNKS author Julian Assange publishes an op-ed in the Sunday New York Times

Monday, June 3rd, 2013

“THE New Digital Age” is a startlingly clear and provocative blueprint for technocratic imperialism, from two of its leading witch doctors, Eric Schmidt and Jared Cohen, who construct a new idiom for United States global power in the 21st century. This idiom reflects the ever closer union between the State Department and Silicon Valley, as personified by Mr. Schmidt, the executive chairman of Google, and Mr. Cohen, a former adviser to Condoleezza Rice and Hillary Clinton who is now director of Google Ideas.

The authors met in occupied Baghdad in 2009, when the book was conceived. Strolling among the ruins, the two became excited that consumer technology was transforming a society flattened by United States military occupation. They decided the tech industry could be a powerful agent of American foreign policy.

The book proselytizes the role of technology in reshaping the world’s people and nations into likenesses of the world’s dominant superpower, whether they want to be reshaped or not. The prose is terse, the argument confident and the wisdom — banal. But this isn’t a book designed to be read. It is a major declaration designed to foster alliances.

Read the full article at the New York Times.

The SuicideGirls blog features HACKING POLITICS

Friday, May 31st, 2013

Hacking Politics is a newly released book that chronicles the extraordinary fight against SOPA (Stop Online Piracy Act) and PIPA (Protect IP Act), which culminated in the unprecedented Internet Blackout of January 18th, 2012.

Edited by David Segal and David Moon of Demand Progress, and Patrick Ruffini of Engage and Don’t Censor the Net, the book features essays from those who were on the frontlines of the battle against these draconian pieces of legislation that threatened not only online liberty but the very fabric of the web.

Read the full post at SuicideGirls.

The HACKING POLITICS release is covered by Mediabistro/AppNewser

Monday, May 20th, 2013

OR Books has a new eBook available called Hacking Politics: How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed Up to Defeat SOPA and Save the Internet and appropriately, the publisher is selling the eBook through a name-your-price model.

Read the full post at Mediabistro.

DRONE WARFARE is reviewed in The Guardian

Monday, May 20th, 2013

Throughout history, some forms of war and weaponry have been viewed with greater horror than others. Even ancient civilisations tried to codify the rules of war – jus in bello. Homer’s Greeks disapproved of archery; real men fought hand-to-hand, not at a distance. Shakespeare’s Henry V roared with anger when, at Agincourt, the French cavalry killed his camp followers. At the beginning of the last century, dum-dum bullets, a British invention, were outlawed following an appeal by Germany. Revulsion against the widespread use of gas in the first world war led in the 1920s to an international convention prohibiting the use of chemical and biological weapons – not that the ban stopped the British using chemicals in Iraq, or the Italians in Ethiopia in the 1930s. A landmine convention was agreed in 1997, though not signed by the US, China or Russia. Today, China, India, and perhaps surprisingly North Korea are among nuclear‑armed states that have pledged no first use, though Nato, Israel and the US have not.

Other, equally horrific weapons go unchallenged. Napalm (invented on the playing fields of Harvard University), incendiaries, “daisy cutters”, depleted uranium, defoliants … the list goes on and on. And the nature of war has changed. Warfare has become asymmetric; hi-tech states fight not each other, but shadowy insurgents, terrorists and freedom fighters. Where once the ratio of soldier to civilian war deaths was 9:1, now it has reversed. Today’s hi-tech warfighters are at less risk than the civilians in whose territories they fight. The lives of each of these warfighters is precious: the US and UK mourn each of their few dead in Iraq or Afghanistan almost more intensely than they did the tens of thousands who died in 1939-45. To minimise such deaths, and to exploit developing computer and information technologies, the Vietnam war ushered in something called “the automated battlefield”.

Read the full review at the Guardian.

HACKING POLITICS is featured on BoingBoing by contributor Cory Doctorow

Thursday, May 16th, 2013

Hacking Politics is a new book recounting the history of the fight against SOPA, when geeks, hackers and activists turned Washington politics upside-down and changed how Congress thinks about the Internet. It collects essays by many people (including me): Aaron Swartz, Larry Lessig, Zoe Lofgren, Mike Masnick, Kim Dotcom, Nicole Powers, Tiffiny Cheng, Alexis Ohanian, and many others. It’s a name-your-price ebook download.

Read the full story at BoingBoing.

Cornel West for Smiley & West interviews Julian Assange about CYPHERPUNKS

Friday, May 10th, 2013

Listen to the whole interview at Smiley & West.

Publishers Weekly reviews GANGSTERISMO by Jack Colhoun

Friday, May 10th, 2013

Radical journalist Colhoun’s nearly 20 years of research reveal how Castro’s rise to power made unlikely allies of the United States government and the Mafia casino owners he sought to expel from Cuba. He takes us through the CIA’s covert methods of undermining Castro, notably organizing, arming, and funding Cuban counterrevolutionary groups in the United States which culminated in the Cuban missile crisis. Examples include the botched Bay of Pigs attack and Operation Mongoose, a failed attempt to “organize a popular uprising on the island…as a pretext for U.S military intervention in Cuba.” The CIA worked directly with the Mafia on several attempts to assassinate Castro, and Cuba-based gangsters like Meyer Lansky and Frank Fiorini provided the CIA and FBI with information from inside the country. Colhoun also follows the escalation of Cold War relations from negotiations in Vienna and the construction of the Berlin Wall, to the agreement to remove missiles from Cuba. The situation fizzled out after Kennedy’s assassination by Lee Harvey Oswald, a supposed “pro-Castro Marxist”, and Krushchev’s removal from power. Interestingly, Jack Ruby, the man who shot Oswald, was a known associate of the Cuban Mafia. Colhoun’s commendable research results in a detailed, nuanced picture of Cold War-era politics and personalities. (May)

Read more at Publishers Weekly.

Counterfire publishes a review of MAD SCIENCE by Joseph Mangano

Tuesday, May 7th, 2013

he thesis of Mangano’s book is that the era of nuclear power, in the US at least, is nearly over. The US nuclear power programme, he argues, ‘has been a failure, and will fade into obscurity with time … Building a single new reactor will either take years to complete or never occur’ (pp.280-1). For Mangano, this is a victory for the anti-nuclear campaigners like him who have fought for decades against official denials that nuclear power plants were dangerous or could cause health problems. It is, he says, ‘a triumph for truth over non-truth’.

This might be the expected position from any environmentalist – on the side of campaigners against government and big business – but recently this has changed. For some prominent environmentalists now, an end to nuclear power would be a catastrophe. Both Mark Lynas and George Monbiot, for example, argue that the only attainable way to phase out fossil fuels is to replace them with a combination of renewable and nuclear power. Mangano does not address what sort of power generation would take nuclear power’s place, and this is an omission, considering how the question is implicit in any consideration of this most controversial way of generating power. Nonetheless, Mad Science adds important research and argument to the case against nuclear power.

Read the full article at Counterfire.

Chris Hedges interviews CYPHERPUNKS author Julian Assange for Truthdig

Monday, May 6th, 2013

LONDON — A tiny tip of the vast subterranean network of governmental and intelligence agencies from around the world dedicated to destroying WikiLeaks and arresting its founder, Julian Assange, appears outside the red-brick building on Hans Crescent Street that houses the Ecuadorean Embassy. Assange, the world’s best-known political refugee, has been in the embassy since he was offered sanctuary there last June. British police in black Kevlar vests are perched night and day on the steps leading up to the building, and others wait in the lobby directly in front of the embassy door. An officer stands on the corner of a side street facing the iconic department store Harrods, half a block away on Brompton Road. Another officer peers out the window of a neighboring building a few feet from Assange’s bedroom at the back of the embassy. Police sit round-the-clock in a communications van topped with an array of antennas that presumably captures all electronic forms of communication from Assange’s ground-floor suite.

Read the full article at Truthdig.

n+1 features a review of FREELOADING by Chris Ruen

Wednesday, May 1st, 2013

That storm, of course, is the internet, which most accounts hold responsible for the music industry’s decline. Though Taylor’s book makes surprisingly little reference to file sharing or other technological developments of the past few decades, other writers have not been shy about opening fire on the elephant in the room. Chris Ruen’s recital of the litany, at the opening of his new book FreeLoading: How Our Insatiable Hunger for Free Content Starves Creativity, is familiarly bleak:

After only ten years, US music industry revenues shriveled from over $14 billion a year to less than $7 billion. From 2000 to 2009, total US album sales (physical and digital) plummeted by fifty-two percent, from 785 million to 374 million units . . . Per capita, Americans in 2009 spent just one third of the amount of money they devoted to recorded music in 2000, from an all-time high of $71 per consumer to a modern-era low of $26 . . . The total number of people employed as professional musicians in the United States fell by seventeen percent from 1999 to 2009 as piracy migrated from the margins and into the mainstream.

As Ruen’s reference to “piracy” suggests, blame for the collapse of the music industry is often placed on peer-to-peer networking and file sharing. This is a considerable oversimplification; Taylor points out, for instance, that many of artists’ current financial woes can be traced back to the Telecommunications Act of 1996, which deregulated the radio industry, paving the way for the rise of the Clear Channel empire and a consolidation of playlists that disproportionately affected mid-level artists on independent labels (another force behind the easement of the advertising taboo).

Read the full article at n+1.

Andrew Boyd will chair a discussion at Left Forum featuring contributors to BEAUTIFUL TROUBLE

Tuesday, April 30th, 2013

From the Arab Spring and Occupy to the climate justice movement and beyond, a new ethos of creative activism is emerging. All around the world ordinary people are trying out new tools and tactics to win victories where they live. In the shadow of austerity and ecological crisis, the urgency of this political moment demands creative approaches that will transform outrage into effective action. Four veteran creative activists — all of them contributors to the book Beautiful Trouble: A Toolbox for Revolution (OR Books, 2012) — will explore the intersection of art and activism in our movements today. How do we bring about economic and ecological transformation — and what’s art got to do with it? Panelists: Andrew Boyd (facilitator/chair), Janice Fine, Andy Bichlbaum, Stephen Duncombe and Nadine Bloch

Read more about the panel at Left Forum.

Lambda Literary Award Finalist THE DREAM OF DOCTOR BANTAM is reviewed by Full Stop

Monday, April 29th, 2013

In Los Angeles, around the area where Sunset Boulevard and Fountain Avenue converge, there is a huge building, the size of a city block and royal blue. This building is the main Scientology Center; the small road leading to the parking garage is called L. Ron Hubbard Way. Late last year, Paul Thomas Anderson’s movie The Master drew attention for being kinda-sorta about Scientology. But The Master was mostly about what the day-to-day business of being a cult looks like. I went into the theater expecting to be scared, but The Master basically just looked pretty.

This was my context when I picked up Jeanne Thornton’s The Dream of Doctor Bantam. When most people read the word cult on the back of a paperback, they either think of the Illuminati or Scientology, and Thornton’s given a few interviews saying she was inspired by the latter. I assume other readers will bring some similar associations to Doctor Bantam, plus or minus Lawrence Wright’s recent treatments.

But I recommend leaving the Scientology context behind when reading Doctor Bantam. It would be a shame for readers to decide what the book will be like before they even crack the spine. The book doesn’t really function as an examination of life in one cult or another. Instead, it’s about what it is to be the kind of person susceptible to joining a cult — and how close we all are to being that kind of person. It’s also about what it is to be the kind of person who falls in love with someone in a cult, and how close we may be to becoming that kind of person, too.

Read the full review at Full Stop.

The Los Angeles Review of Books publishes a review of CYPHERPUNKS by Julian Assange

Monday, April 29th, 2013

WIKILEAKS FOUNDER JULIAN ASSANGE’S newest book Cypherpunks: Freedom and the Future of the Internet is intended as an urgent warning, but it seems to have fallen on deaf ears. Despite boasting publicity blurbs from a curious medley of public intellectuals — Slavoj Žižek, Naomi Wolf, and Oliver Stone among them — Cypherpunks may just as well have sunk to the bottom of the sea. Although Assange is one of the most vital and polemical activists alive, nobody’s talking about Cypherpunks, and nobody seems to have read it. This is a pity, since the book rings a justifiably strident alarm bell over the erosion of individual privacy rights by an increasingly powerful global surveillance industry.

Though Cypherpunks raises issues of pressing concern, its neglect is not all that mysterious. “This book is not a manifesto,” Assange begins. If only it were! The pretense of writing one — especially when widely rumored to be wanted by the US government and an international cause célèbre — would probably have garnered Assange more attention. A good old-fashioned manifesto would have been more readable, too: Cypherpunks is irritatingly structured as a discussion between Assange and three coauthors, the digital activists Jacob Appelbaum, Andy Müller-Maguhn, and Jérémie Zimmermann. The intention may have been to emphasize the sort of “messy” participatory democracy favored by Occupy, Anonymous, and other emergent political forces loosely affiliated with WikiLeaks and influenced by anarchist political theory. But the “discussion” occasionally slides into pedantic softball-lobs, ego-stroking, and phony-sounding debate that will leave the reader wishing for a more tightly edited and coherent declaration of the trouble Assange thinks we’re in.

Read the full review at the Los Angeles Review of Books.

AlterNet interviews Reverend Billy about the Church of Stop Shopping and THE END OF THE WORLD

Friday, April 26th, 2013

Need a creative way to fight fears of our planetary demise? A new book by Billy Talen prophetically titled, The End of the World (OR Books), may be just the trick. Talen, also known as Reverend Billy, and his Church of Stop Shopping, exposes the socio-political structure of consumerism and the commoditization of the earth with songs, impassioned preaching and theater events. Talen has been arrested 70 times along with members of the Church for their acts of civil disobedience in banks and other places of corporate mediation. Their decade-long collaboration, under the direction of Savitri D, has brought them to communities throughout the U.S. and internationally where they have built a performance institution of communities of action with songs and uplifting protest spectacle on the streets and in concert halls. Talen and the Church’s inspiring and engaging performances ask us to take action on behalf of our home on our rapidly dying planet.

Read the full interview at AlterNet.

Dazed Digital names HEMINGWAY LIVES! by Clancy Sigal the Literary Book of the Week

Tuesday, April 23rd, 2013

The poet Wallace Stevens once punched Ernest Hemingway in the face and, so the story goes, broke his hand on Hem’s mighty jaw. If that’s not a case for ‘Why reading Ernest Hemingway matters today’ then I really don’t know what is, but Sigal’s book has a few other reasons if you still need them. This one’s a must have for fans of shagging, fighting and literature. And fans of shagging, fighting literature.

Read more at Dazed Digital.

The San Francisco Bay Guardian promotes THE END OF THE WORLD by Reverend Billy

Tuesday, April 23rd, 2013

Reverend Billy Talen and his Church of Stop Shopping — which evolved from anti-consumerism street theater in San Francisco in the 1990s into a venerable New York City protest/performance institution — is bringing its creative environmentalist prayers and ploys back to the Bay Area next week.

Talen is a talented talker and writer whose most recent book, The End of the World, is a poetic plea for people to finally get serious about climate change, loss of biodiversity, and other environmental indicators that are passing irreversible global tipping points, all of them fed by the relentless growth of global capitalism.

Read the full article at the San Francisco Bay Guardian.

FREELOADING author Chris Ruen interviews Sound Fix’s James Bradley

Friday, April 19th, 2013

A few weeks ago I emailed James Bradley, whom I interviewed for “Freeloading,” about carrying the book at Sound Fix. Turns out it didn’t make a whole lot of sense, he said, as the store would soon be closing. Bradley requested that we sit down to talk; that he had some things to get off his chest. Anyone interested in the future for record stores (specifically those that sell new music) or wonder about the viability of vinyl should read the interview below. As you might imagine, it isn’t a particularly rosy picture. Bradley also reflects on the changes he’s seen in Williamsburg over the years and the role Sound Fix played in the local music culture.

Read the full interview on Billboard.

OCCUPATION DIARIES by Raja Shehadeh is shortlisted for the 2013 Orwell Prize

Friday, April 19th, 2013

It is often the smallest details of daily life that tell us the most. And so it is under occupation in Palestine. What most of us take for granted has to be carefully thought about and planned for: When will the post be allowed to get through? Will there be enough water for the bath tonight? How shall I get rid of the rubbish collecting outside? How much time should I allow for the journey to visit my cousin, going through checkpoints? And big questions too: Is working with left-wing Israelis collaborating or not? What affect will the Arab Spring have on the future of Palestine? What can anyone do to bring about change? Are any of life’s pleasures untouched by politics?

Read more details and the full shortlist on the Orwell Prize website.

Yoko Ono’s ACORN is announced in NPR’s the Two-Way

Monday, April 15th, 2013

Yoko Ono, the artist and former wife of John Lennon, is coming out with a book of “instructional poetry,” according to OR Books. She explains, kind of: “It’s something I originally created for the internet. For 100 days, every day, a different instruction was communicated. Now it’s being published in book form. I’m riding a time machine that’s going back to the old ways! Great! I added my dot drawings to give you further brainwork.” At least it sounds less weird than her menswear line.

Read more at NPR.org.

GalleyCat reports on OR Books’ upcoming publication of ACORN

Friday, April 12th, 2013

Artist Yoko Ono inked a deal with OR Books for an “instructional poetry” book entitled Acorn. The publisher plans to release this title in June 2013.

OR Books described the Acorn manuscript as “an extension” of Ono’s 1964 art book, Grapefruit. Ono has collaborated with other writers on books, but this is her first book published by herself in nearly 50 years.

Read the full announcement at GalleyCat.

ACORN, the upcoming title by Yoko Ono, is reported on by the Los Angeles Times

Friday, April 12th, 2013

Yoko Ono is returning to her roots. In June, the 80-year-old avant-garde icon (and widow of John Lennon) will publish a follow-up to her 1964 book “Grapefruit”: “Acorn,” a collection of 100 conceptual instructions which function as Zen-like incantations for how to live a mindful life.

“Grapefruit” is one of the great books of the 1960s, a work of subtlety and elegance that frames the world itself as a canvas for art. It was this sensibility that first drew Lennon to Ono when they met at London’s Indica Gallery in 1966.

Read the full piece at the Los Angeles Times.

The Guardian announces the publication of ACORN by Yoko Ono

Thursday, April 11th, 2013

“Poetry in action with participation,” is how artist and musician Yoko Ono describes her new book of “instructional poetry” – the first she has published solo in almost 50 years.

Acorn, according to New York-based independent publisher OR Books, is an extension of the “intricate strands” Ono first wove together in Grapefruit, the “book of instructions and drawings” she published in 1964. The book, which comes out in June, is “classic Yoko”, said the publisher, “full of intriguing and surreal exercises [which invite] the reader to uncover profound and often complex truths, in words and imagery that are playful and accessible”.

Read the full story at the Guardian.

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