Here, in all its ecstatic detail, we are able to take account of a visible manifestation of the artist’s mind, a mind turned inside-out, the components of his practice revealed through the detritus and treasures of our technological culture. In Bartos’s images, we see numerous Apple computers, catalogues from Marker’s 2005 Museum of Modern Art installation “Owls at Noon,” an array of electronic keyboards, a signed photo of Kim Novak, and a 9/11 Commission Report.

Read the essay at BOMB Magazine.

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