I was troubled by the knowledge that millions of music fans were freeloading music from these artists without a second thought, and more so that I was one of them, hypocritically claiming to “love” music all the while. Once I realised that the great majority of artists and musicians actually needed their legal rights enforced under copyright just to have the chance to break even, the usual excuses for digital piracy started to look like sophomoric drivel.

It’s true that some of the classic excuses for piracy had their brief moments of seeming credibility. In 2000, when the debate over digital piracy sprung to life, we didn’t have content providers like Spotify or Netflix, much less iTunes. The fact that there were so few legal options for consuming digital content was one of the main rationalisations for taking a soft stance toward piracy. The legitimate digital market was either too inconvenient or nonexistent, and piracy filled in these gaps in the developing web.

Read the full article on the New Statesman.

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